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M&M’s Blog goes behind the headlines to offer a running commentary on the business dynamics within the international media and marketing industry. The M&M editorial team joins forces with industry experts and local market heroes to balance a bird’s eye view of global trends with the importance of local insight.

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  • ‘Starbucks’ Social Index: Who’s the most sociable of all?

    17 June 2013

    We’ve got a new infographic to share and this one comes courtesy of social engagement platform Local Measure. The index looked at how consumers sipping lattes in Starbucks stores in Singapore, Australia, Malaysia, Indonesia, the Philippines and the US engage in social media conversations.

    Check it out for some of key insights based on each individual market:

    Comments (0) | Permalink

    Posted by: Jenni Baker

    Tags: Social Media, Social

  • Why the UK’s creative industry stands out from the rest

    14 June 2013

    Adspend is just one way of looking at how much people are prepared to invest in creativity.

    What strikes me about creativity in the UK, more than the spend growth – probably because it’s what’s fuelling it – is the approach.

    Having worked in advertising and branding globally – whether it's in Europe, North America, the Antipodes or Israel – it has become clear to me the UK stands apart from the rest. Elsewhere, working in the creative industries is a job. Here, it’s more than that: it’s a lifestyle choice.

    People who want in flock from all over the world to be a part of it. Even in New York, where the approach is strong and collaborative, and the spend is high, the talent is not on the same scale. US clients come to London for work; you don’t see the same happening the other way round.

    Talent moves in, and work goes out – our ideas are spreading and inspiring creatives, brands and consumers globally.

    The reasons? It’s a labour of love, the product of a community that only exists here; occasionally to the point of being esoteric. UK work is humorous – too humorous, sometimes, to be used elsewhere; the identity work we produce can occasionally be too sophisticated to resonate in other markets.

    But it’s never a stab in the dark. We have genuine ideas, founded in strong market research, behavioural economics and media planning – and these have genuine effect, often worldwide.

    Our creative industries are the product of a chaotic burst out of an otherwise hyper-organised society; an expression of chaos which is a pleasure to witness.

    It’s the excitement; the speed; the desire fuelling it that makes it so infectious. A client calls on Friday morning and says he needs something for Monday; it gets done (here, but in very few other countries). One Direction’s Niall expressed a taste for Twinings Lemon & Ginger tea; we designed him his own pack in a couple of days. We enjoy a challenge.

    Likewise, we have a depth of connectivity – we combine creativity with science to learn how brands work: how people remember; how their brains operate to form connections. There’s method to our madness.

    Here, we work with a neuroscientist, Di Itiel Dror, to inform how we design; how we brand; how we package. Other agencies are doing the same.

    If you’re a part of the UK’s creative industries, this is a time to be proud. Yes, investment is on the up – because it’s deserved. Investment is born out of worth.

    By Nir Wegrzyn, managing partner & founder, BrandOpus

    Comments (0) | Permalink

    Posted by: Bloggers' Gallery

    Tags: Creativity

  • Facebook has grown up, but its approach to gender hate remains stuck in its college years

    14 June 2013

    Making decisions about the subtle nuances of Facebook’s moderation process can’t be easy. How do you create objective policies to measure, document and enforce the boundaries between art and pornography, controversial humour and hate speech? These policies must be robust enough to apply to over a billion of the world’s people, each with their own cultural sensibilities, biases and triggers, they must be enforceable, and they must be popular. Too-heavy handed and users will go elsewhere. Too permissive and advertisers threaten to walk away.

    That’s exactly the situation Facebook came up against last week. Advertisers, most notably Nissan, Dove and Nationwide, all came under pressure after a social media campaign led by the Everyday Sexism Project drew attention to ads served on interest pages containing graphic content glorifying rape and violence against women.

    So why would Unilever, whose brand Dove focuses on empowering women, choose to advertise on pages with titles like “Violently Raping Your Friend Just for Laughs”? The answer is, of course, that it didn’t. Facebook ads are targeted to logged-in users, not to pages, and the ads targeted to your profile follow you around the site. The context has no bearing at all on which ads are served there. But the idea of hitting Facebook in the pocket struck a chord with users, and proved to be an appealing way to empower people ready to see a serious change in public passivity towards violently misogynistic content.

    As with any thriving social network, community and safety leaders at Facebook need to be continuously listening to and analysing patterns in abuse reports, making sure policies are up to date and existing standards are consistently enforced. Users’ needs will change over time and Facebook’s policies must be agile enough to allow the community to shape their experience of the platform. Here, there has been a disconnect, and it is Facebook’s advertisers who are paying the price.

    At Yomego, we experienced this first-hand last week, with anxious clients asking our advice on whether to pull their Facebook ad campaigns. Buried within Facebook’s Power Editor tool is an option to direct a full campaign budget to in-feed ads. This avoids ads being seen on contentious pages, although they could, of course, still appear next to distasteful content. Facebook also says it is taking steps to address its outdated moderation issues.

    But in the long term, that’s only applying a patch on the wound. Without completely overhauling its advertising model, it’s not clear exactly what Facebook can do that will guarantee the peace of mind that advertisers and users clearly want.

    By Annie Macfarlane, head of community, Yomego

    Comments (0) | Permalink

    Posted by: Bloggers' Gallery

    Tags: Facebook

  • The impact of Apple's iTunes Radio on the music streaming industry

    11 June 2013

    Apple's iTunes Radio will definitely make an impact on the music streaming industry.  

    The more competitive US market is their first target. By the time they launch in the UK in the autumn they will have worked through several challenges, which will be a major worry for Spotify.

    The strength of the Apple brand and the sheer number of iTunes accounts/iphones/ipads will naturally draw users into iTunes Radio. The product presented by Eddy Cue looks the real deal. The simple user interface, and the song history, seem to be the two main standout features.

    The next step is for Apple to look at the advertiser side. Spotify needs revenue from premium subscribers and they need to attract advertisers' budgets, with advertising revenues at 23.5% of total revenues in 2011. Apple's total revenues will not be affected by how much revenue iTunes Radio brings in, so they have somewhat of an advantage over Spotify. I'm sure they will push all the major agencies for deals but they have other income streams that will bring in the majority of the revenue.

    Brands will be keen to see what opportunities there are with iTunes Radio. Spotify currently offer age, gender and geographical targeting for advertisers. I'm sure apple will do the same but with a bigger customer base. One thing to note is that Spotify have very close relationships with music artists which have allowed advertisers to run events through Spotify. It will be interesting to see if Apple will have the same relationship, or even want to provide similar experiential events for brands and fans.

    Another question is around the impact of another music streaming service on the traditional UK radio market. The UK commercial radio market is worth £550m. The market is in good health and revenue last year increased by 3.8%. Yes, there may be a small impact but radio is about much more than music. We listen to our favourite radio station for entertainment, news, traffic & travel information, as well as music. This provides a deep relationship between the station and its presenters, and the listener. This cannot be replicated on music streaming services. The simple power of a DJ talking about a brand has huge traction with listeners, which is why branded content radio revenue was up 8% in 2012. But I do hope that commercial radio stations use the apple threat as an opportunity to further develop their digital offerings.

    By Mike Williamson, head of radio, Carat

    Comments (0) | Permalink

    Posted by: Bloggers' Gallery

  • The problem with the IPA Media Owners Survey...

    11 June 2013

    Every May, the first of the year’s IPA Online Media Owners Surveys is published. This twice-yearly study ranks UK media owners by the service level they offer agencies.

    There’s no doubt that this research serves a purpose. But like all surveys, it’s got its flaws – and this has a pretty big one: it represents the service received by IPA members only. Given that the IPA requires a minimum profit level of half a million pounds for agencies to join, it’s clear that those responding to the survey are the bigger spenders.

    But as anyone that works in media knows, the service you receive in the industry is often dependent on the money you spend. For the independent or start-up agency (which form a huge part of the industry), the experience can be somewhat different.

    To those agencies with smaller budgets, media owners can be hard to reach and slow to respond. They often provide sloppy responses to briefs, offer no campaign management and fob you off with the most junior and unsupported of staff. If we treated our clients like that, we’d go out of business within hours. Part of our job then becomes to manage that poor service level and bring it up to our standards.

    Agencies are often started by people that have had enough of the big agency mindset and want to get back to putting client service at the heart of things. It’s frustrating to realise that as a client of the media owners, the attitude is vastly different.

    Agencies of all types are a vital part of the media ecosystem and I firmly believe that if the survey were to include responses everyone, irrespective of size, the league table would look somewhat different.

    It’s not a matter of naming and shaming – but of standing up for all agencies. Some might not spend as much, but surely it’s important that we all have a voice and representation within the industry. And perhaps – just perhaps – it might finally reflect the real levels of service received across the industry.

    By John Kimbell, managing partner, Navigate Digital

    Comments (0) | Permalink

    Posted by: Bloggers' Gallery

  • How brands should tackle data and privacy to build consumer trust

    10 June 2013

    Facebook has reached a point where it can accurately predict everything from political persuasion, sexual orientation and even religious views, raising the age-old issue of privacy online. What has now become clear is that customers are unwittingly sharing vast amounts of personal information on social channels without considering what this can reveal about them and the uses to which it can be put. Brands need to be cautious about how they use consumer data – using it to inform their approach towards an individual, but at the same time not appearing intrusive. In short, brands need to adopt a best practice policy or else jeopardise consumer trust.

    The key to engaging effectively with consumers on social platforms is for brands to interpret their data accurately and use it to gain a better understanding of the customer and most importantly how they wish to be approached. Insight applied successfully can inform brands about a customer’s motivation, decisions, behaviours, and most importantly the touch points in their unique purchase journey - crucial data for the development of an effective marketing strategy. The brands which understand this journey, and the consumer behaviours behind it, will know how to engage with consumers at the optimal time, leading to growth and business success.

    One way a brand can collect customer data without compromising the customer’s trust in the brand, is to provide a two-way exchange, a key example being loyalty schemes. Providing an incentive and reward which is valued by the customer, means the brand can also collate data on frequent purchases. Companies such as Tesco show that employing a best practice policy with customer data and rewarding loyal customers can lead to huge benefits for the brand. The launch of ‘Clubcard TV’ is a great example, whereby customers can watch free movies and television shows, while at the same time generating opportunities for effective targeted advertising.

    To use customer data appropriately, brands need to be properly informed about the personal details customers willingly reveal and what they wish to conceal from brands. In other words, brands need to demonstrate a deeper understanding of their core customer base and each person’s unique sensitivities. Approaching customers at the right point, with the right product and information will ensure brands achieve the right balance between personalised communication, and protecting the individual’s privacy. This will go a long way to building trust between the brand and the consumer and create the foundations for an enduring relationship.

    By Sarah Todd, chief executive, G2 Joshua

    Comments (0) | Permalink

    Posted by: Bloggers' Gallery

    Tags: Privacy, Data

  • Tracking at the crossroads

    07 June 2013

    A single study can no longer answer all marketing questions, but what approach can take its place?

    Continuous tracking of brand perceptions has given marketers actionable insight on which to base their strategies for 40 years. The approach has developed, with incremental innovations such as questionnaires that are optimised for mobile devices. What’s required next, however, is more of a leap than a step: measuring the impact of campaigns in a meaningful way is becoming too much for the traditional one stop shop, one-size-fits-all tracking studies to handle.

    Invented by Maurice Millward and Gordon Brown in the 1970s to give clients advice on improving brand performance, continuous tracking shone a light into the darkest corners of marketing – revealing, for instance, that most advertisements did not ‘wear out’ in the way marketers anticipated – and built up learning around how measures could be used to predict the sales impact of marketing activity.

    The well-founded business case for the approach remains. Tracking gives a brand feedback on communication campaigns, helping them understand how these contribute to consumer perceptions and how they, in turn, impact strategic goals and bottom line. It also provides a continuous early warning system highlighting when a brand needs marketing attention. However, the way researchers carry it out needs to evolve from large-scale, all-encompassing single studies.

    Digital communication, omni-channel marketing, the increasing levels of competition, and the rate of change have led to complex marketing strategies executed in volatile contexts.

    The questions brands need to ask today are more diverse as a result – not just whether a new ad campaign has led to increased awareness, sales, or both but how individual channels are contributing to long-term sales. The traditional approach to tracking is not the right vehicle to capture all of that information efficiently, and deliver it in a timely manner.

    The multimedia environment is a challenge. Tracking can provide a high level read on one or two media, but cannot realistically provide the breadth of coverage needed by most multimedia or digital campaigns. It also needs to effectively combine data from other sources such as social media.

    Getting executive buy-in for investment in large-scale studies can also be a battle, when so much ‘free’ feedback can be readily and continuously scraped from the web – even if a lot of that data does not provide the guidance the brand needs. Pressure on costs and a focus on KPIs, meanwhile, have led to a reduction of sample sizes, and respondents are less willing to engage with long, repetitious surveys. This limits the depth and robustness of analysis, and makes it difficult to give guidance on campaigns at the level of detail which is required.

    It’s time for marketers to move on from thinking in terms of ‘tracking studies’. They need a new approach based on carefully-structured, coherent and connected ‘brand performance programmes’ that are built from a set of individual best-of-breed solutions and tailored to address each specific question.

    Harnessing the latest and most cost-effective technology, the components of a research programme will vary according to brand, category, and circumstances. They can be structured to give both a continuous, long-term view of the trajectory of a brand, and fast turnaround, intermittent feedback about how activities contribute to brand growth.

    To understand how a new ad campaign has broken through, for example, a short study with a robust sample executed over two or three days could be what’s needed. For quantifying short and long-term brand effects, a cross-media study running over the duration of the campaign with enough questionnaire space to ask the relevant questions for all paid, owned and earned media is the best solution. Because the most crucial factors for the category will be identified early on through detailed brand equity work, the questionnaires can be short and tightly focused.

    All programmes should be glued together by consistent brand measures that address central questions – such as how marketing is expected to influence the brand and what attitudes or ideas about the brand need to change.

    They also need to be underpinned by a detailed understanding of brand equity, the associations that build it and how that equity manifests itself in the financial performance of the brand. This understanding will make it clear what actions need to be taken to build and adapt campaigns that will help the brand capture more volume, command a price premium and grow.

    It will also lead to clarity on what KPIs need to be captured: ongoing monitoring of KPIs that signal a change in the health of a brand will remain important.

    Research solutions must be adapted for the complexity of our current era – showing return on communications investment, and monitoring brand health and the effectiveness of marketing activities across multiple media is more challenging than ever. Brand performance programmes extend the original idea that gave birth to tracking 40 years ago into a flexible and comprehensive approach that enables marketers to address every individual question that needs answering, and every individual decision that needs to be made.  

    By Gordon Pincott, chairman of Global Solutions, Millward Brown

    Comments (0) | Permalink

    Posted by: Bloggers' Gallery

    Tags: Data, Insight

  • Most branded content needs viagra

    05 June 2013

    "70% of marketing activity has low arousal"

    So says Karen Nelson-Field of Ehrenberg-Bass Institute and Phil Townend of Unruly Media, just after their presentation at the Festival of Media Global 2013. They had spoken at the event on what makes great branded video content. So I thought I would grab them and ask them a few more questions.

    Putting aside Phil's big plug of Unruly Media's tools for analysing branded content (though why not!), I was fascinated by the results of their research on what are the triggers for the sharing of great branded content. Which is where the 'arousal' factor came in. Their research found that getting lots of people to view the content does not necessarily foster higher incidence of sharing of that content. Boring ads don't get shared, which is not surprising. But neither do mildly amusing bits of content. A small smile on the face of the viewer won't be enough to encourage them to share.

    Karen and Phil suggested that high arousal in people will get the sharing button pushed. Before you start defining what 'high arousal' could mean, let me help. According to their research, there are 4 levels of emotion (Positive High, Positive Low, Negative High, Negative Low) across 4 emotional descriptors (Humour, Motivation, Temperament, Awe). In the Positive High Arousal state, we find Hilarity, Inspiration, Astonishment and Exhilaration.  So if your branded content is not hitting any of those states, then you will struggle to have the content shared.

    cbtv Karen Nelson Field & Phil Townsend: Branded Content needs viagra from citizenbay on Vimeo.

    Here is their research if you want to go beyond my interview with them.

    Of course, this is only part of the story. Brand created content will always sit side by side with, and often out-shone by, user-generated content. And as comscore showcased in a great piece of research last year, business benefits can be secured by finding ways to combine the benefits of both sources of content.

    In my interview with Karen and Phil, I also asked about the social motivation behind the sharing of content. Specifically, I wondered whether people share because they want to share (external good) or because they they want to be seen to be sharing (recognition). It seems a little more digging into their data will be required.  Looking forward to seeing what they come up with. And am off to have a dig around myself...

    By Paul Bay, founder, Citizenbay

    Comments (0) | Permalink

    Posted by: Bloggers' Gallery

    Tags: Social, branded content

  • Why TV advertisers should embrace the second screen

    04 June 2013

    With 75 - 85% of viewers using second screen devices while they watched TV in 2012 and a growing percentage of viewers watching TV in a non-linear fashion, advertisers are understandably concerned that eyeballs are moving away from their content. Gone are the days where we have to sit through ad breaks waiting for our favourite show to come back on; instead, we’re either fast forwarding through the commercials, or turning to our phone or tablet to keep us occupied while the ads – and of course, the shows themselves - run.

    While the impact of these two trends should act as a wake-up call to the advertising industry as they’re threatening the effectiveness of an age-old revenue stream, the flipside is that they offer a massive opportunity for creative brands.

    Second screen technologies have, of course, been around for a couple of years, and some – including myself! – heralded 2012 as the year of the second screen. But for many people, second screen means Twitter or Facebook. In fact, a recent Twitter study showed 60% of the network’s users tweet while watching different shows, with 80% of them accessing the discussion via their mobile devices.

    2013, however, will be the year of the second screen app. Brands and TV programmes across the globe are developing and launching companion mobile apps, which aim to increase the audience engagement by adding extra dimensions, such as the ability to access exclusive content or play along at home – even in the ad breaks – but also give a deep insight into the audience. These apps are transforming the way traditional TV programmes are consumed. New shows are being built around social engagement, and age-old shows such as the Antiques Roadshow are creating their own apps to harness the power of second-screen.

    We saw – and were involved in - some really innovative programming in the UK and across Europe, of which Channel 4’s Facejacker app was just one example. The broadcaster was the UK’s first terrestrial channel to launch an app that allows users to unlock exclusive subject matter. Using audio watermarking, viewers could enable the app to ‘listen in' on episodes of Facejacker and gain access to bonus content including additional ringtones, ‘Facejack Booth' masks and up to 30 minutes of unseen clips and behind-the-scenes video.

    But how can this help advertisers? The answer is twofold. Firstly, by making the adverts part of the second screen experience. SBS in Belgium has managed to do this extremely effectively, with its long-running TV show ‘The Smartest Person in the World’. To encourage people to keep watching the ads, the broadcaster launched ‘The Fastest Quiz in the World’ - a game that ran throughout the commercial break and challenged viewers to answer a set of questions in the fastest time, with answers captured in the companion app. Rather than nipping off to make a cup of tea, checking their emails or Facebooking their friends in the ad break, over 130,000 viewers who’d downloaded the app were glued to the screen watching out for the questions which appeared in between the ads. What made it work so well was the pin-point syncing with app and the fact it worked no matter when the viewer was watching.

    The second reason is the massive potential for audience insight that second screen can deliver – particularly audio watermarked content. Today, broadcasters, rather than TV programmes, are able to continually encode their entire output, meaning it can sync constantly with broadcaster-developed apps on viewers’ mobile devices. Whether consumed live or on catch-up, the codes can be picked up by the apps on viewers’ smartphones or tablets, meaning broadcasters can gain a detailed understanding of consumption patterns of their shows at any time. The codes also empower broadcasters to develop compelling additional content, such as access to exclusive content, play-along games and loyalty rewards.

    So, the potential is there for second screen technologies to create genuinely novel experiences which engage viewers like never before, while delivering actionable, insightful data and rejuvenating TV advertising. With this in mind, I can’t wait to see what’s coming later this year.

    By Luc Jonker, chief executive, Intrasonics

    Comments (0) | Permalink

    Posted by: Bloggers' Gallery

    Tags: Multi-platform, Second Screen, Smartphone

  • Mobile marketing – why it’s time to get personal

    03 June 2013

    Beyond the screen, our mobile devices are reflections of ourselves. They are mirrors for who we are, what we care about, how we spend our time, who we want to be. These vivid reflections are based on the apps we download to the information we tap in and choose to share, serving as statements of our personalities that we carry around with us in our pockets.

    Couple this with the fact that we interact with our handsets up to 80 times per day -- in concert with the “mirror” theory, this may be a statement of our growing vanity -- and it’s easy to see how advertisers are clamouring for our attention via m-commerce. We are addicted to our handsets, and brands are obsessed with getting their heads around how they can monetise our mobile behavior as a channel. As we’ve found from our own research, more than half of American adults now own a smartphone and one in four also owns a tablet. Consumers are using them in unexpected ways, revealing unique roles that mobile devices play in each of our lives.

    The reason we’re so addicted to our mobile phones lies in the fact that they have become, essentially, social vehicles for us. They help us to plan, to share, to connect and to purchase. We use them to research, recommend and redeem product. They tell us where we are in the world and where we need to be next. They’ve become digital life coaches.

    While many conversations about mobile marketing focus on the individual needs of brands and customers, it is often appropriate to consider the commonalities within mobile -- those behaviours that we all share -- rather than too-specific or fringe experiences that pertain to the few. Mobile is a social medium, certainly, but even more so, it’s also just another screen in the broadening digital story. One of the biggest mistakes a brand can make is to rely exclusively on mobile statistics when planning its untethered strategy, particularly when common sense can outweigh the data alone.

    Yes, it’s partly about number crunching over which apps 18-24 year-olds are downloading and which sites they are visiting, but it’s also about listening to what they’re saying – not only what’s creating a buzz, but also what you believe may actually resonate with them through your own circles of trust and exposure. In a pinch, here’s a rule of (mobile) thumb: if you would do it, if you know five other people who would do it, figure there may be a consumer pattern worth contemplating. Conversely, if you know the buzzword but no one else does, while it could be a first-to-market gem, it could also be a flash-in-the-pan that hasn’t yet found its cauldron.

    For advertisers and marketers, the trick is to work out how to assess the human-like roles our phones are playing and learn to monetise them, but in a non-invasive way. This isn’t an easy task. As our devices rapidly transform into mobile wallets, ask yourself if consumers really want brands popping up left, right and centre? A measure of engagement, of opt-in, of invitation should be applied. As an example, there is still a debate raging over whether geo-location services are the panacea for targeted advertising, and in turn, if they can be counted upon at scale. If an ad offering a discount at the coffee shop around the corner pops up, is it making life easier for the consumer, or is it going to irritate them? At worst, there is the potential for the conflation of services like Groupon, Living Social and the lot to cloud up inboxes, notification centres and pixels on screen. At best, savvy consumers will opt in to savvy opportunities nearby as long as these deals are properly paced (and placed). Time will tell.

    Ultimately, we are at a stage when advertisers are trying to find ways to reach the two most intimate objects that we have in our possession – our mobiles and our purses. It is going to have to be done with intention, deliberation and of course, with respect... and respect for all involved: the publisher (whether app or m-site) where the ad is served, the brand marketer paying for the placement, and the consumer’s attention, patience and stamina for the barrage of potential directions the device can lead.

    That mobile interfaces are becoming more intuitive by the second – to the point where they understand where we are and what we need at a particular moment (a la Google Now) – helps tremendously. While mobiles and tablets deliver limitless content possibilities, they also serve as ‘de-stressers’ – we can stay connected with the office without being chained to our desks, and when we are, we can use our devices to stay connected with friends and family. For brands the trick will be to tap into this intuitive mindset and create mobile experiences that enhance, rather than interrupt the daily life cycle.

    As technical a channel as mobile is, advertisers should never lose sight of the fact that it is also one of the most personal ones. “Mobile” is as complex as it is because it is a direct reflection of who we are... and personalities and interpersonal relationships are inherently complex, are they not?  Perhaps, then, mobile marketing should be approached as a social science. And “social” softens the science and technology here, which brings art into the equation as well. As stated earlier, if mobile is just another screen in the larger digital story, it might be best to also treat it just as we would those other canvases. And if that metaphor resonates with you, I suggest you fill that canvas with a point of view.

    Television may not translate to desktop, and desktop may not translate to tablet or mobile, but one thing is clear: all of these screens are digital and one meaning of the word digital is “of or relating to touch.” So, give consumers something to touch, something they can explore, consider, form an opinion over, and ideally, an appetite around. The brands that can grasp this concept will be the ones to deliver the deepest messaging and receive the greatest reward.

    By Doug Grinspan, vice-president of strategic partnerships, Say Media

    Comments (0) | Permalink

    Posted by: Bloggers' Gallery

    Tags: Mobile, Mobile Marketing Strategy

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